Wave 1248

Über Douglas Busch

Der 1951 in Miami Beach geborene, heute in Malibu, Kalifornien, lebende Douglas Busch nennt seine Serie von Meeresbildern „Silent Waves“. Stille Wellen – stille Wogen: Seit 2003 fängt Busch mit digitaler Fotografie in ungewöhnlicher Perfektion ruhige, erhabene und dramatische Momente der ewigen Begegnung von Licht und Wasser ein. Seine Bilder scheinen wie selbstverständlich, als hätten

HINTERGRUNDINFORMATIONEN

Der 1951 in Miami Beach geborene, heute in Malibu, Kalifornien, lebende Douglas Busch nennt seine Serie von Meeresbildern „Silent Waves“. Stille Wellen – stille Wogen: Seit 2003 fängt Busch mit digitaler Fotografie in ungewöhnlicher Perfektion ruhige, erhabene und dramatische Momente der ewigen Begegnung von Licht und Wasser ein. Seine Bilder scheinen wie selbstverständlich, als hätten sie sich samt ihrer meditativen Stimmung von selbst erschaffen. Selten treffen wir auf solche Bilder nach der Natur, den, obgleich mit modernsten technischen Mitteln kreiert, eine stark malerische, gefühlvolle Qualität innewohnt. Buschs Bilder erinnern an abstrakte Malerei, sind deshalb so anmutend, weil sie „Wasser“ und „Licht“ in fragil-sinnliche Farbkompositionen übersetzen.
„Im späten Frühjahr 2003 bezieht Douglas Busch vorübergehend einen Strandbungalow in Malibu, dessen Sonnendeck sich über das Meer schiebt. Seine Meeres-Bilder beginnen nun den Bereich der wiedererkennbaren Fotografie zu verlassen, werden zunehmend ungegenständlich und geraten zu Meditationen über Licht und Farbe. Buchstäblich Tag und Nacht fotografiert er das Meer von der Morgendämmerung bis zu den letzten Resten des natürlichen Lichts am Abend und in der Nacht schließlich mit Hilfe von Scheinwerfern, die das nächtliche Meer illuminieren. (…) Es entstehen farbreduzierte Bilder, die nur noch wenig mit Fotografie, wie sie herkömmlich verstanden wird, zu tun haben. Beinahe monochrome Studien in Blau, Grau, Orange oder Gelb tragen keinen erkennbaren Inhalt mehr. Es geht nunmehr um das Licht und die Farbe im Bildraum. Gelegentlich sind in diesen Strukturen noch einzelne Wellen oder Wolken zu erkennen. Diese verstärken die Bildwirkung beinahe noch, da sie einziges Referenzobjekt sind. Dies ist nicht Buschs Inkonsequenz geschuldet, vielmehr ist die Wirklichkeitsnähe Beleg für die Freiheit, die sich der Künstler in der Ausarbeitung dieses Werkes nimmt. “ Thomas Schirmböck

BIOGRAFIE

Photo District News: No Strings Foundation
International Photo Techniques
Camera Arts
Modern Photography
Photo Vision
Professional Photographers of America Technical Photography
N.Y. Times Art Review
Chicago Tribune
New York Photo District News
British Journal of Photography Photographic Collector Magazine
Popular Photography
Rockford Magazine
Janesville Gazette
Rockford Register Star
Die Rheinpfalz, Germany
Dernieres Nouvelles d'Alsace, Germany
Dernieres Nouvelles d'Alsace, France
Edenkobener Rundschau, Germany
Foto and Labor, Germany
Darkroom Photography
Photo Vision
Cucina Bella E Buona #76
Il Nouvo Bagno #27
HG TV Design Challenge 10 April 01
Robb Report March and April 2005
Western Interiors 2005

VITA

1951	born in Miami Beach, FL
1973	Graduated University of Illinois with BFA in Art and got voted one of ten outstanding seniors. Moved to Carmel, CA, to become Morley Baer’s asstistant. Worked with Al Weber on workshops in Death Valley. During this period befriended Ansel Adams, Wynn Bullock, Brett Weston, Huntington Witherall, Imigene Cunningham, Minor White, Ralph Gibson and others.
1974	Moved to New York City; Scranton, PA; Boston, MA, to work with Chelsea Wholesale, Finley Departments as a diamond picker. Became assistant boutique buyer, before managing stores in Scranton. Continued photographing during this period
1975	Moved to Rockford, IL, to run family jewelry business
1981	Trip to four corners area
1982	Left family jewelry business. Founded deGolden Busch, Inc., which he ran as president. Designed all deGolden Busch SuperLarge™ format view cameras, FocuShield™ ground glass protectors, FilmLok™ filmholders, and archival washers. Obtained patents on products, all of original design
1983	Executive director for the Keith Photographic Foundation, founded by international photographer and columnist Simon Nathan. Responsible for organization of international traveling shows, discovery and requisition of new artwork, structuring and promotion of workshops. Was curator of a $750,000 collection of existing photographs in the permanent collection
1984	Publisher and executive editor of Viewpoint, the SuperLarge™ Format Newsletter, circulation of over 5,000. Delivered three lecture-seminars at the International “Photo-Expo" Convention in New York City on SuperLarge™ format instant imaging techniques for Kodak, Polaroid, and Agfa-Gevaert
1985	"Victor Colorado Landscapes" - eight 12" x 20" black and white contact prints in a limited edition portfolio of 25 sets. Thirteen continuous tone lithographs published and distributed by Jannes Art Publishing, Chicago, IL. Six limited edition collotypes in sets of 300 (signed and numbered) published by Black Box Photographics. Closed deGolden Busch Camera Co. Did photographic trip to four corners area with Carl Canfield
1986	"The Denver Photographic Project," exhibition and portfolio
1987	“Contrasts” - a photographic study of three communities in North Central Illinois. This exhibition traveled to five museums and ended at the Illinois State Museum in Springfield, IL
1988	Smithsonian Institution acquired four Busch prints for collotype show- "Imperishable Beauty". Beginning of the shooting of “Societorial Nudes”
1989	“Societorial Nudes” Series consisting of seven walls measuring 9' x 16'. Each wall had twelve images measuring 30" x 50" sequenced together. Opened at the Busch Gallery and the Weiss-Morris Gallery, Rockford, IL
1990	510 East State Street, Rockford, IL. Restoration of historic registry from 1880, which was awarded best city remodel in 1990. Finished restoration of 12,000 Queen Ann Building in Rockford, IL, which became his studio, darkroom and living quarters. Started portrait project with Daniel Voll (play write) which incorporates interviews with photography
1991	Started Midwest Landscape Project. MFA work at University of Illionois
1992	"LA Overlook" - freeways of Los Angeles, exhibited at Steven Cohen Gallery, CA. MFA Degree at University of Illinois. Published "A Right of Passage" and "In Plain Sight" which was awarded "Best Book by a Small Publisher"
1994	Published "Tides in Time", a catalogue for the traveling show with the same name and worked on "Flesh as Canvas", a year long project photographing tattood people across America, sponsored by Eastman Kodak Co.

Ausstellungen

Einzelausstellungen

2006	Art Moscow, Russia May 2006
	Silent Waves: Caprice Horn Gallery, Berlin, Germany
	Retrospective: Santa Barbara Museum of Art, CA
	Dortort Center for Creativity in the Arts, UCLA, Los Angeles, CA
	Vestiges: Vertretung des Landes Rheinland-Pfalz und der Europaischen Union, Berlin, Germany
	Vestiges: Mainz Museum, Germany
	Italian Gardens: Museum fuer Europaische Gartenbaukunst, Duesseldorf, Germany
	Vestiges: Landes Museum Koblenz, Festung Ehrenbreitstein, Germany
2005	Hack Museum, Retrospective Ludwigshafen, Germany
	Vestiges: Maison de l’Archeologie, Niederbronn-les-Bains, Frankreich, France
	Vestiges Buró Trifels, Annweiler am Trifels, Germany
	Dortort Center for Creativity in the Arts, UCLA, Los Angeles, CA
2000	Focus Gallery, Carmel, CA
1999	Mannheim City Gallery, Mannheim, Germany
	Group V, Braunfeld, Germany
1998	Cedar Rapids Museum of Art, IA
	Group V, Braunfeld, Germany
1997	Photo Classics Gallery, Munich, Germany
	Lotus Gallery, Salzburg, Austria
1996	451 Gallery, Rockford, IL
	Borrone Gallery, Menlo Park, CA
1995	Fact Gallery, Laguna Beach, CA
	Linderman Gallery, Germany
1994	G.Ray Hawkins Gallery, Santa Monica, CA
	X-ibit Gallery, Los Angeles, CA
1992	Steven Cohen Gallery, Los Angeles, CA
1991	Earl McGrath Gallery, Los Angeles, CA
1990	Art Services, San Francisco, CA
	X-ibit Gallery, Los Angeles, CA
1989	James Madison University, Harrisionburg, VA
	continued City Hall, Rockford, IL
	Weiss-Morris Gallery, Rockford, IL
	Gallery Ten, Rockford, IL
1988	Illinois State Museum, Springfield, IL
	Freeport Art Museum, Freeport, IL
	Rockford Art Museum, Rockford, IL
	Union League Club, Chicago, IL
	J.R. Kortman Gallery, Rockford, IL
1987	Ida Public Library, Belvidere, IL
	Denver Chamber of Commerce, Denver, CO
	United Banks of Colorado, Denver, CO
1986	Florissant Valley College, St. Louis, MO
	Carson-Sapiro Gallery, Denver, CO
	Fermilabs, Chicago, IL
	A-Space Gallery, Madison, WI
	University of Maine, Portland, ME
1985	Burpee Art Museum, Rockford, IL
	Viterbo College, LaCrosse, WI
1984	Tracy Felix Gallery, Colorado Springs, CO
	Victor School of Photography, Victor, CO

Gruppenausstellungen

2002	A Century of Photography, Cedar Rapids Art Museum, IA
2000	Pasadena City College, Pasadena, CA
1989	Art in the Embassies, Washington, DC
	Busch Gallery, Rockford, IL
1988	Smithsonian Institution, Washington, DC
	Art Institute, Chicago, IL
1987	Camera Obscura Gallery, Denver, CO
1986	US Department of State, Washington, DC
	The LLoyd Gallery, Spokane, WA
	The Architectural Center, Chicago, IL